A good dialogue is mostly about what people avoid saying. Two characters who state their positions clearly have had a discussion, not a scene, and the audience learns nothing they could have been told in a caption.
We build new scenes for games, edit dull scenes, and create branched, conversational spaces where each choice made has to stick with the character and merge back into the main storyline to avoid the player experiencing a contradiction.
People with different backgrounds have different perspectives. Somebody who stopped their education at sixteen and somebody who teaches at a university may use different words to articulate themselves, but they also take different lengths of time to convey the same message. Convincingly capturing the different styles of writing requires that you have listened to both of them and have figured out what each of them is hiding.
Text-to-speech technology makes dialogue sound natural because your characters do not talk in complete sentences. Real characters, after all, speak in fragments. They also speak in fragments when answering questions, restate plots, and use character names. In complete contrast to reality, characters never ignore questions. In addition, word usage in dialogue is interesting. Notably, long words are much more common than short words and are scattered throughout the text, compelling readers to actually sound out each individual letter rather than quickly skimming the text as a whole.
Each speaker gets a brief introductory voice card with a limited range for vocabulary, short sentences, verbal tics, and the thing they would never admit. The foundation for the scene offers both sides an objective and tasks both sides with standing something meaningful to lose should they fail. Lines and delivery that feel unnatural are quickly spotted when two people read the scene aloud together.
The goal of refining passes is to determine if the dialogue is still identifiable, even without name tags. Blunders in this pass must be corrected with rewrites. Thereafter, greetings, confirmations and verbose name tagging must go. The next phase requires identifying and removing all instances of flat dialogue (hidden in greetings, confirmations, etc.) as well as testing to ensure parallel paths rejoin seamlessly.
One rate, whatever the format: $10 per 100 words. You are paying for the writer’s time and judgement, so the price scales with the words rather than with a package tier.
| Typical dialogue | Words | Writing | Fee (1%) | You pay |
|---|---|---|---|---|
| Single scene | 600 | $60 | $0.60 | $60.60 |
| Extended sequence | 1,800 | $180 | $1.80 | $181.80 |
| Dialogue pass across a script | 5,000 | $500 | $5 | $505 |
The writer receives 100% of the writing price. Our 1% fee is added on top of it, and 0.5% is donated to tree planting. Full pricing breakdown.
Yes — 2 rounds are included, for 14 days after delivery, handled by the writer who wrote the piece rather than by someone new to the brief.
Yes, by assigning someone who already knows the subject rather than someone who will research it overnight. If we do not have the right specialist available we will tell you rather than take the brief and hope.
Yes. Send the pages where characters are most in their own voice as reference. The voice builder creates a voice card from that reference and then adds a line. Matching a voice is an ordinary writing task, therefore the reason most people order a pass.
We use or create a node structure with you, then detail every branch for seamless rejoining. You get a branch map, per-node word counts that you can use for personal budget tracking, and a verification that no path refers to something the player has not done.
Completely. Copyright transfers to you on delivery, with no attribution requirement and no licence back to us. Nothing written for you is resold, repurposed or republished.
Reviews from completed, paid orders in this category.
I asked for some advice with a plot that I have been tweaking for years. The suggestion was to fix the mess in the middle and to just leave the ending the way it is. I guess they were right and I wouldn’t have arrived at that conclusion on my own.
At a natural pace, the speech was about ninety seconds over the twelve minute mark. Editing it was simple because your structure was clear, but I shouldn’t have to. Our director called the content of your speech the best written thing that she has ever delivered.
I couldn’t write it myself and had to ask for help two days before. It came the next morning looking plain and quiet with none of the words I was dreading. My aunt asked who wrote it and I said.
We do not ask you to take the no-AI promise on trust. Each draft is run through these platforms and the reports are attached to your delivery email.
Originality.aiAI detection + plagiarism
GPTZeroAI detection
TurnitinAI detection + similarity
CopyleaksAI detection + plagiarism
Winston AIAI detection
ZeroGPTAI detection
SaplingAI detection
Content at ScaleAI detection
Send the brief, get a human draft back within 3 days. No account, no subscription, no AI.
$10 per 100 words · all of it to the writer · 0.5% to trees